"[Frank on the lockdown] A lot of my friends are all kind of saying 'man the very first thing I'm going to do is go to a gig once I'm allowed'"
Some of you may know Frank Turner from his time as vocalist of the Post-Hardcore group Million Dead, for those who don't, Frank Turner is an accomplished singer-songwriter whose music spans across a plethora of music genres but mostly is rooted within the Punk Rock, Folk and Country music genres. He is complemented by his touring family known affectionately as The Sleeping Souls - Ben Lloyd (guitar, mandolin), Tarrant Anderson (bass), Matt Nasir (piano, mandolin) and Nigel Powell (drums). Just last year, Frank Turner released his 8th studio album "No Man's Land" and two weeks ago released his 3rd live album "Live In Newcastle"; released earlier than planned due to COVID-19 and the subsequent lockdown.
We spoke to Frank about his latest release, his lockdown experience and guitar building expedition, his passion for Heavy Metal and astonishment at the Syrian Metal band Maysaloon, his beloved and devoted support of independent venues and what tips he can give to musicians or bands looking to make it in the music industry.
As the UK is in lockdown musicians have been streaming performances, you played a benefit gig in aid of supporting the Huddersfield venue The Parish, can you tell us more about that?
"So basically I came home from a tour after playing around the UK; I was on the road when the lockdown kicked in, which sucked as cancelling shows is never a nice thing. So I came home and did a benefit for my touring family; my crew, my band who you know were looking at real financial hardships. It went really well and it was really easy to do, afterwards I was thinking about what else I could do that might be helpful.
So I thought about doing shows for independent venues because I've done lots of work with music venues over many wee places like that over the years; helping out indie venues and they really need help right now. I feel very strongly that I owe these places my depth in gratitude for helping my career, so I started doing them 7 weeks ago and haven't stopped yet because they've been going well."
Speaking of which it's not just COVID-19 impacting venues, but rents, noise complaints etc forcing some to close, so it's now than ever more important to back venues.
"Yeah definitely, I mean I think the fact that organisations like the Music Venue Trust existed before the lockdown goes to show that this is not the only problem facing venues, it's not all about us to run an indie venue and it's not certainly how anyone is going to become a millionaire. I think we have to be careful about talking about positives in regards to coming out of this as people are suffering and dying, you have to recognise that. Nether the less I think one of the potential positive angles about everything that's happening right now is that people really are starting to appreciate how much they miss live music and what it is that live music brings into their lives.
I miss gigs enormously but that's partly because of what I do for a living, but I think a lot of people who I speak to, a lot of my friends are all kind of saying 'man the very first thing I'm going to do is go to a gig once I'm allowed'."
Of course it's not just musicians, but the whole music industry is suffering due to COVID-19, in your opinion where do we go from this?
"Well I mean that's the million dollar question and if I had a short answer to that, I'd place some bets and make a lot of money (laughs). I think the thing is no one knows what's going to happen and at the end of the day I do sort of broadly accept the reasons for us having this lockdown and the medical side, that kind of thing. I'm not like sitting there saying 'there's no such thing as coronavirus, or anything like that', this is a real problem that we all have to deal with. It is a shame given that my career of 20 years has been based around travel and gathering people together and those two things seem to be a bad idea right now.
It's difficult and I suspect that live music is going to be one of the last things that will return to normality; if it ever does return to normality, but honestly I don't know but again I feel like that there's a lot of kind of positive energy right now in the industry. Even from some of the major labels, some of the major corporate promoters, people like that, there has been a sense of 'not being assholes' kind of moment, trying to pull together and trying to sort of maintain the structures that we built throughout all of this; which I think has been interesting and kind of heartening."
During the lockdown musicians have been looking at ways to keep engaged with music, but what other things have you been engaged with?
"Well the first thing this isn't strictly outside of music but it's outside of my usual thing, I've bought a kit off the internet to build a guitar, right, because I thought that would keep me busy. If I'm honest with you (because I thought it wouldn't be that hard), it turns out I'm an asshole and it's really hard and it's going to take me ages. I am working through it, but I was thinking that it might take me a couple of weeks but now it's going to take me f**king months. But you know it turns out that lockdown is going to last for f**king months as well so (laughs) I've got the time.
Other than that I read a lot, generally speaking I've been getting through books which I've been shying away from reading over the years. I'm fortunate enough to have a little root garden so I've made sure I've been doing a bit of gardening as well."
I suppose in a way building a guitar would be similar to the Airfix models you used to get?
"Well I think that was roughly the way I was thinking, that it was going to be something along those lines. But like I said, it turns out you've got to sand, cure, grain and all this kind of stuff. So I'm definitely learning new skills, but it's a lot of work."
Speaking of skills that you learn, what advice could you give to musicians and bands who are just starting out?
"Well I mean it's a difficult time to start right now in terms of the lockdown. Having said that one of the good things the internet has brought to us over the last decade or more is that it puts the power in the hands of the bands much more than it used to be. Much more than when I was starting out in bands when I was a kid, you can make your own luck, it is easier now to record good quality music at home, get it up on streaming services, do live stream shows you can do all of this and make noise.
Beyond that, this is going to make me sound a little old-fashioned so forgive me for that, but there is a large part of me that believes that quality will out, the fact that you can do that if you want to be in a band, make waves and be successful is to be f**king excellent and to be unique, to be different and make a noise that no one else is making - to do it in a way that is original. If you do that then people will find you and will pay attention."
Now you yourself are a Heavy Metal fan correct? Are you surprised about seeing bands emerge from countries like Nepal, Botswana, etc?
"That is correct yes I mean my first love was Iron Maiden.
No not really I think that one of the things that metal has always been is like kind of outsider's music and is kind of fashion-resistant. Part of the things that attracted me to it when I was a kid was the sense of defiance almost, it's like yes I'm a metalhead... f**k everyone (laughs) and obviously people from other parts of the world are opening up, for example a Syrian Metal band (Maysaloon)... I cannot imagine what it's like to play music of any kind let alone metal in Syria, you know hats off to them for it.
It seems to me that metal's attraction is again down to that sense of defiance, that sense of identity against the grain and so on that level no it doesn't surprise me too much."
With that and the whole global pandemic in mind, it makes the love and sharing of music more important than ever.
"Yeah definitely I feel like people are starting to kind of like appreciate it more, now on the level of gigs I was chatting to a friend of mine the other day and he said that 'a couple of weeks before the lockdown kicked in, someone invited him to go to a gig and he didn't go because he said he was tired from working and couldn't be asked, and he said right now I will literally go and see any band, any f**king band', he was like dying for it. But I think that people are getting a sense of appreciation."
Musicians have all kinds of influences from in and outside of music, what influences do you take in creating your music?
"It's mostly purely music, the external thing for me would be that i read quite a lot of poetry and I emphatically believe that lyric writing and poetry are two separate things; they're not the same thing. I'm slightly scared of poetry writing, in the sense that you don't have the structure of the music to back it up... how the f**k do you do that?
A lot of the influences on my work come from other lyricists, whether it's John K Sampson, Nick Cave, Adam Duritz or whomever, but mostly within that I try to be as broad as I can; I always have my go tos from Hardcore music, Country and Folk music, those are my two kind of main repertoires of inspiration shall we say. I like to try new things, I try to challenge myself particularly as I go through my career and I do album after album; trying not to repeat myself, but for example when I did "Be More Kind" I went through a big phase of listening to Afrobeat and Ska stuff, not because I was trying to make an Afrobeat record but more so trying to push myself outwards in my sound."
You released your 'Live In Newcastle' album on 24th April, what was the reception like?
"Yeah It's been great and it was entirely different approach to a show, we were trying to do something different, it was a secret show which was weird and new for us. Me and my family usually have a more of a Punk Rock approach to a show, but now suddenly it was a sit-down show and with this it is something we've never done before; it was kind of a one-off, this isn't now how I am going to tour forever, it was just an experiment and that's why we captured and recorded the tour.
We practised and recorded it and I think the plan was to put it out at the end of this year, maybe at the start of 2021... but then the pandemic set it and so we thought f**k it why not get it out there. The one thing I'd have to say about that though, is that there is a level of which I quote 'mixing the record and then like releasing it', it's ever so slightly emotionally mixed where it leads to a point where you suddenly go 'I remember gigs, like gigs were great'. It's lovely to hear a room full of people enjoying the show and at the same time it reminds you that you're currently not doing that."
Have you got any greetings or thanks you wish to send out to friends, family, fans, etc?
"I'd like to say thank you to everyone who's been tuning in for the live streams, we've been raising serious amounts of money every week for independent venues that I love. I know I'm the one sitting there playing the guitar, but it's the people who are tuning in, making the donations which is an incredible thing - to see people rising up week after week making donations to a cause like that'; I'm incredible blown away and grateful for it so big up for everyone who contributed to the live shows."
"Live In Newcastle" is out now via Xtra Mile Recordings / Polydor Records
"Em and Jack really made sure they’re parts complimented our sound and who Milk Teeth are live"
Steadily they have arisen from the underbellies of the English rock underground and thus henceforth arrive boldly having delivered their second album back in March, say hello to Stroud-natives Milk Teeth. The punk rock trio have in the past 7 years signed with some of the biggest labels on the planet: Roadrunner Records, Hopeless Records and now Music For Nations. Vocalist and bassist Becky Blomfield spoke to GMA about the state of the Punk Rock scene, what plans Milk Teeth COVID-19 depending and the beauty of the vinyl revival.
Guys would you say that Punk Rock over the past few years is seeing a huge resurgence in the UK? How did you get into Punk Rock?
"I think punk always exists in the background and underground scenes, I actually think there will be a more prominent rise in punk at the forefront again in light of so much anger caused by the Government lately and the circumstances surrounding COVID-19.
I got into Punk Rock as a teenager - I found bands like Operation Ivy, Alkaline Trio, early Green Day, The Ramones etc and was hooked."
You released your second album back in late March, what was the reception like given the circumstances we are faced with?
"It’s been so positive! I think it was so important not to hold the date back for release. What time is better to give people music and escape than in a global pandemic."
How did it feel signing for Music For Nations and was it a rocky journey signing with 3 labels over a 4-5 year period?
"I feel like I’m used to large amounts of instability in my work and personal life so have almost come to expect things to go wrong before they go right. It’s been positive signing to someone new and we are grateful they have championed the record and music we are making. I think a lot of labels aren’t sure what to do with us."
What would your favourite tracks from the new album be? What did you do differently with this album compared to 'Vile Child'?
"My favourite tracks are “Smoke”, “Better” and “Wannabe”. Vile Child was written as the original line-up - a lots changed and it’s given me so much to write about. I think this self titled record brings my writing to the forth front more than it ever has been, we stuck with a stripped back approach to production and Em and Jack really made sure they’re parts complimented our sound and who Milk Teeth are live."
Your album was released on both black and orange splatter vinyl, you must be excited to see that?
"It’s always crazy to see your own record exists physically. I don’t really associate it with me there’s “band Becky” and “regular Becky”. I’m stoked it’s out - I feel especially proud of this album."
Outside of music do you have any other hobbies / interests?
"I love working out and hiking - lately I’ve enjoyed trying boxing style workouts. I love reading, am getting into gardening and am hoping to do some more craft based courses in either ceramics or silversmithing."
What plans do you have for the rest of the year when everything gets back to normal?
"Everything’s uncertain right now, when we know what we are doing, the fans will be the first to know."
Are there any greetings / thanks you wish to send out?
"I want to thank all frontline workers looking after us all right now whether it’s in the supermarkets, collecting the bins, caring in residential homes or hospitals etc you are literally keeping the world spinning on its axis right now and there aren’t enough ways to tell you thank you."
Kenya in East Africa is a country most would associate with safari parks, sandy beaches and the Maasai people. Few would associate it with rock and metal music, even more so Punk Rock. Leading the African Rock movement for Kenya is Powerslide, a band of three brothers-in-arms who stand for what they believe in. They're no Sex Pistols nor are they any flashy wannabe punk rock band of late, they create music true to their heart, but as the vocalist / guitarist Willy Ojiro goes on to explain, the rock/metal scene is more or less still in it's infantile stage and has yet to reach the burgeoning levels witness in Europe, North America and Australia.... this is their story.
"We have a Government owned station (Y254) that has a Rock show ('Rock Tour')... the only Kenyan show that promotes the local scene"
For those who have not heard of Powerslide, could you give us a brief background of the band?
"Powerslide is a punk band comprising of Willy Ojiro (vocals/guitar), Timothy 'Qreed' Wafula (drums) and George Zuko (bass). We have roots in Punk Rock, but we use elements of everything from Metalcore to Indie. Taking inspiration from bands like Blink 182, Nirvana, NOFX, Black Flag, Architects and While She Sleeps just to name a few. We all skated together for years before any of us were musicians but in 2015 we decided to form a band. Our goal is to spread love and positivity through our music and to change the world one pair of ears at a time."
Your debut album is out this year, what will you be doing to promote it?
"Our debut album 'Cheshire Grin' is almost out. For promotion we have a bunch of music videos in the works and have released 2 so far, as well as TV appearances planned. We also intend to tour to the extent of our capability. If everything goes well we'll be touring Germany in the summer."
Tell us more about the Kenyan rock and metal scenes, what is it like? Do you have bands from neighbouring countries come and play?
"The Kenyan Rock and Metal scene is extremely small, but extremely vibrant. Most Kenyans don't even know that a scene exists. But when bands from around the world come down here to play they're always stoked on how intense the crowds here are. There's an incredible sense of community in the scene. Yes we have a few bands from neighbouring countries that come through like Vale of Amonition from Uganda, and Norbormide NMD from Botswana."
What is the Government's stance on rock / metal music?
"I don't think the Government has given two thoughts about the scene lol. But we have a Government owned station (Y254) that has a Rock show ('Rock Tour). That's the only Kenyan show that promotes the local scene. The station has invited us on twice in the past 2 months, cheers to them."
For rock / metal fans visiting Nairobi, what sights / attractions could you recommend?
"Nairobi has a bunch of attractions tourists could visit. Kenya's first national park, Nairobi National Park which has a huge array of animals such us lions, cheetahs, rhinos, gazelles, elephants, buffaloes and more than 400 species of birds. We have the Bomas of Kenya with is an open air museum featuring traditional tribal villages with indigenous crafts, performances and music. We also have the Giraffe Center which Stray From The Path visited during their tour here.
We were blessed with the chance to share the stage with them in June at the Hardcore Help Foundation's 'This Is Africa Fest'. Stray From The Path is my favourite Hardcore band and getting to go on stage and perform with them was a mind-blowing experience."
What do your parents think of your choice of music? Are they musicians themselves?
"Neither of my parents are musicians but they are both huge music fans (unfortunately not of rock). They have shown me nothing but support as I pursue my music. I might even go as far as saying they are more supportive than all the parents of the musicians I surround myself with. And for that i will always be grateful."
With the end of 2018 drawing closer, what can fans expect from Powerslide in 2019?
"In 2019 fans can expect us to play more shows than ever, in more countries than ever. We will also be releasing a 2019 album which we have already started writing."
Are there any greetings, hello's, etc you wish to send out?
"I'd just like to give a huge thanks to everyone that's given us a chance, everyone that's come to a show, everyone that's taken time to listen to our music, everyone that's believed in us, we appreciate you."
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