South London indie pop band Wolf Girl have announced that their second album ‘Every Now & Then’ will be released via Everything Sucks Music on 19th October. The announcement comes alongside a new single ‘Toast For Dinner’. Healey from the band, who is on lead vocals and guitar for this song but also handles bass duties and back-up vocals on various other tracks on the record, says:-
“This song is a tribute to my love of amateur magic, dual guitar riffs and toast. Toast is maybe the greatest food of them all and it is also my go-to if I’m burnt out and can’t find the energy to eat/cook a meal. This song is about a point where I was finding it hard to say no to things and ended up constantly feeling physically and emotionally drained. Sometimes I fantasise about there being multiple versions of myself like in Fantasia’s ‘The Sorcerer’s Apprentice’ so I can invest myself fully in everything that I do.”
‘Every Now & Then’ consists of nine hook-laden tunes about queer feelings, coming out and dealing with social burnout and marks a real period of growth for Wolf Girl. With Healy helming the majority of the songwriting, each track acted as a strange kind of therapy and catharsis, exploring sexuality, gender identity and anxiety. The album was recorded with Mark Jasper of Sound Savers and the band really focused on capturing the energy shown in their live shows.
New single & music video ‘Toast For Dinner’ out now:
YouTube | Pre-order | Spotify | Apple Music
There are a lot of firsts on this record. Christabel gets her first songwriting/lead vocal credit in the form of 'Dream Partner'. She’d chosen a deliberately ‘50s/’60s pop chord sequence and song structure so the band tried to emphasise that in the studio with handclaps and Wall of Sound/Joe Meek type reverbs. ‘Breaking News' also sees the addition of saxophone played by Phil Whaite of Guttfull. “Being fans of X-Ray Spex, Roxy Music and Downtown Boys, we knew we wanted to include horns on this track,” enthuses Healey. “It’s about "choosing to come out when you want", in a society where queer people are forced to do so repeatedly.”
In the two years since the release of their much-loved first album ‘We Tried’, Wolf Girl have shared bills with the likes of The Spook School, Girl Ray, and Worriers. They’ve also branched out into other music projects, from The Whooperups (Healey’s collaboration with AC from the Spook School) to Suggested Friends (where Christabel also takes up the drums).
The crunching, distorted guitars and catchy melodies that fans will remember from the band’s first album can still be found on ‘Every Now & Then’. But this new album is a bigger, braver and, at times, completely heart-breaking collection of songs and experiences – political, poignant, yet perfectly pop.
Tuesday 24th July - Acoustic Indietracks warm up, Waterintobeer, London
Sunday 29th July - Indietracks Festival, Midland Railway Butterley, Derbyshire
Friday 3rd August - Viral Nights, The Lock Tavern, London
Sunday 5th August - How To Make Friends All Dayer, The Sebright Arms, London
Saturday 15th September - Loud Women Fest, Tufnell Park Dome, London
WOLF GIRL ARE:
Healey – Bass, Guitar, Vocals (Pronoun – They)
Christabel Williams – Drums, Vocals (Pronoun – She)
Carl Farrugia – Guitar, Vocals (Pronoun – He / They)
Christopher Wood – Guitar, Bass (Pronoun – He)
Website // Facebook // Twitter // Bandcamp // Spotify // Apple Music // Instagram
Young hopefuls will be making their way to Belarus this November to take part in the 16th Junior Eurovision Song Contest. A record-breaking 19 countries will participate in Minsk - the most in the history of the Junior Eurovision Song Contest - celebrating the extraordinary young musical talent across Europe.
Belarus’ public broadcaster BTRC (Belarusian Television and Radio Company) will host the Junior Eurovision Song Contest 2018, which will take place at the Minsk Arena on Sunday 25 November, the second time the contest has been held at the 15000 seat stadium in the Belarusian capital.
Following their triumph with Polina Bogusevich winning at last year’s contest Russia return to defend their title in Belarus, facing tough competition for the accolade from previous winners Armenia, Belarus, Georgia, Italy, Malta and The Netherlands plus the rest of the 2018 contenders Albania, Australia, Azerbaijan, France, FYR Macedonia, Ireland, Israel, Kazakhstan, Poland, Portugal, Serbia and Wales.
Young contestants will look to emulate the success of previous Junior Eurovision contestants, including Ieva Zasimauskaitė who performed for Lithuania in 2007 and went on to represent her country at the Eurovision Song Contest 2018 in Lisbon. As in previous years, the winner of this year’s Junior Eurovision Song Contest will be invited to perform at the prestigious Eurovision Song Contest 2019 in Israel.
Having won the competition twice before Belarus are among the few countries who have won the Junior Eurovision Song Contest multiple times along with Russia and Malta who have also won twice, and Georgia who have won a record three times. Kazakhstan and Wales will both take part for the first time.
Jon Ola Sand, the EBU’s head of Live Events and Executive Supervisor of the JESC said “We are delighted to have a record-breaking 19 countries taking part at the 16th Junior Eurovision Song Contest. Since the contest began in 2003 we have been thrilled to see a wealth of young talented performers take to the stage, some of whom have gone on to represent their countries in the Eurovision Song Contest. We are looking forward to seeing the next generation of young musical talent shine in the 2018 contest at the Minsk Arena in Belarus”
The following countries (and EBU Members and Associates) will participate in the 2018 Junior Eurovision Song Contest in Belarus:
Australia (ABC / SBS)
France (France TV)
FYR Macedonia (MKRTV)
Kazakhstan (Khabar Agency)
The Netherlands (AVROTROS)
Continue to JuniorEurovision.tv
Read between the lines of a familiar fairytale and you may stumble across a rabbit hole you never noticed before. Those curious enough to follow their ears into the black will be met with a world of escapism, narrated by the weird and wonderful music of Alice’s Night Circus.
Ringmaster Julia Scott orchestrates the magnificent sounds of Alice’s Night Circus. Juggling a smorgasbord of influences with a pop sensibility, the Sheffield-born artist walks the tightrope between her theatrical world and the mainstream sound-du-jour. Eccentric single ‘Curious World’ is the ultimate demonstration of this: what begins as an off-kilter waltz that harbours her eccentricities eventually bursts into a grandiose chorus, showcasing her earworm hooks.
Listen to 'Stand Up (Final)' here - https://soundcloud.com/user-30071441/stand-up-final
The main attraction of Alice’s Night Circus is undoubtedly her staggering vocals, which have evoked favourable comparisons with powerhouse vocalists such as Florence and the Machine and Shirley Bassey. The classical training she received whilst growing up has informed both her singing and her music, which bears traces of opera, musicals, jazz and symphonic metal.
But, perhaps her biggest influence has been drawn from the world of Steampunk. She made her debut live appearance under the Alice pseudonym at the world’s largest and longest running Steampunk festival called The Asylum in Lincoln, where she now resides. Having taken inspiration from the awe-inspiring visuals and beguiling theatrics of the community, Julia begun to create her own costumes and accessories for live shows and Steampunk events. Furthermore, she’ll appear as herself and Alice as part of Gary Nicholls’ Imaginarium trilogy, a photography project centred around Steampunks.
Like Panic! At The Disco who married debauchery and cabaret with pop prowess, and Muse who converted a fascination for space into cabinets of album awards, Julia is attempting to lure the mainstream into her conceptual world of circus and theatrics. With an abundance of tricks up her sleeve, we have every reason to believe the ringmaster can draw a crowd to Alice’s Night Circus.
New Zealand-born rising pop act Robinson today reveals her brand-new track, ‘Don’t Trust Myself’, out now via Ministry of Sound/Sony.
Watch the lyric video for ‘Don’t Trust Myself’ HERE
The emotional and melodic song highlights Robinson’s ability to create intimate lyrics over catchy melodies, all whilst showcasing her vocal prowess. The track was co-written by Robinson and produced by Sam de Jong (30 Seconds to Mars, Noah Kahan).
Robinson says of the track:
“Don’t Trust Myself’ is about falling too hard, too soon for someone - it’s about the idea of them being etched inside your head making it hard to realise who they truly are and that you can’t trust yourself around them because your heart seems to override your head.’
‘Don’t Trust Myself’ is Robinson’s second release this year, following ‘Nothing to Regret’, which was released in February. The song - called an ‘immediate attention-grabber’ by the 405 - has now amassed over 50 million streams worldwide and has achieved Platinum certification in Australia and Gold in New Zealand. ‘Nothing to Regret’ has also received support from Zane Lowe at Beats 1 as well as Radio 1. At only 21-years-old, Robinson is one to watch.
‘Don’t Trust Myself’ is released ahead of her highly-anticipated debut UK performance at Thousand Island in The Garage, London tonight. For tickets, visit https://myticket.co.uk/artists/robinson.
Few debuts make the kind of impact that TS Graye's powerful 'MY2' did when the seventeen-year old released it in June, with many earmarking it as the most exciting introduction to a new artist this year. With the track having reached over 100,000 streams on Spotify alone, TS Graye has today shared her eagerly awaited follow up; 'Take Notes'. Showcasing a different side to her musicality, with a more stripped back, almost ballad-like feel laden with soul and authenticity, 'Take Notes' further proves TS Graye is an inimitable force - listen here.
Written about falling in love with your best friend, the song is a personal account from the young Bristol based singer-songwriter. And, like her debut 'MY2', where she cleverly engaged use of wordplay and double entendre, she returns to form with her use of intricate and considered lyricism in this new track. In particular, her words are meant to convey intensity in sound and meaning, as the production and melody of the chorus reach new heights. It was produced by Louis Mattrs, who she met online and continues to work closely with.
On the meaning behind 'Take Notes', TS Graye says:-
"Take Notes is about realising that you've fallen in love with with someone unexpectedly. At first, I was soul-searching, trying to understand why I was feeling some kind of way about a friend. As soon as I clocked that I was in love, I saw that the game had changed forever and had to lay down the law, hence spelling out the rules and asking him to take notes."
Growing up in the West Country, TS Graye’s influences never strayed far from home; trip hop and the sounds of neighbouring Bristol (e.g. Massive Attack, Tricky, Portishead) play out heavily in her music, but true to her generation she discovered most of the music she loves online (she references Lana Del Rey, Banks, Post Malone and Drake and her sound invokes likeness to greats Rihanna, SZA, Alicia Keys and Jorja Smith).
Self-taught, TS Graye learned how to produce and play piano from her bedroom and has been writing two songs a week since she was thirteen. Her passions outside of music include experimenting with make-up and zine making.
Stay tuned for more news to follow.
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Following twenty albums over 50 years, Yoko Ono's Warzone is strikingly different from any record she has made previously, but it is also strikingly different from any album that anyone is making...
Yoko revisits and re-imagines 13 songs from her past work, spanning 1970-2009, the lyrics and messages still pertinent—perhaps even more pertinent—in 2018. "The world is so messed up. Things are very difficult for everybody. It's a warzone that we are living in..." says Ono. "I like to create things in a new way. Every day things change."
The recordings and arrangements on Warzone are very stripped down, with a particular emphasis on Yoko's voice and lyrics. Here in this minimalist landscape the content of her message rings clear and unencumbered; sometimes somber warnings, sometimes uplifting encouragement, but her wisdom and fortitude are unflinchingly strong, her power having intensified with time and life experience. She ends the ominous questions of "Now Or Never" (1971) with one of her most famous and inspiring lines: "[a] Dream you dream alone is only a dream, but dream we dream together is reality."
Warzone further builds the legacy of an artist unparalleled in her unique and singular vision. At 85 years young, Ono is already plotting her next album... It is not too late to change the world. We need Yoko now more than ever.
Warzone will be in stores on October 19 on Chimera Music, the label run by Sean Ono Lennon. Leading up to the release date, Yoko will releasing a new song each Tuesday on her website ImaginePeace.com and on streaming services.
Northern Ireland's Jealous of the Birds shares new single 'Russian Doll'; taken from new EP out July 13th
Following on from her recent single 'Plastic Skeletons' - and its accompanying video - today Northern Ireland's Jealous of the Birds - aka Naomi Hamilton - returns once more with 'Russian Doll', the closing track of her forthcoming new EP, The Moths Of What I Want Will Eat Me In My Sleep, which arrives July 13th via her new homes Hand In Hive (UK & Europe) and Canvasback Music (US).
'Russian Doll' - which originally appeared on Hamilton's 2016 debut album, Parma Violets, in a slightly more subdued form - makes a return on the new EP retooled, re-mixed by Ben Baptie (Young Fathers, Daughter, Lianne La Havas, London Grammar) and sounding the best it's ever done. A meandering, driving number replete with punchy guitars, syncopated wordplay and well-travelled imagery, it sits comfortably in the middle of a Venn diagram between Elastica, Speedy Ortiz and Cat Power.
Hamilton, speaking of the song's central metaphor, says:-
"It’s about when you’re in a relationship and you’re having someone else projecting certain things on you and a lot of the time you don’t have any control over that. It’s matching up the person you want to become and what someone else sees you as... I was thinking about the Freudian iceberg and it’s a comparison: you’ve got the sense of self and your ego and it’s all very multi-layered."
Watch the lyric video for 'Russian Doll' here: https://youtu.be/AJ6DUrb1okk
And revisit the raucous recent video for 'Plastic Skeletons', directed by Libby Burke Wilde, here: https://youtu.be/EmYfPMDJoQs
Hamilton has been making waves in the indie music scene since her debut EP Capricorn, which she recorded while studying English and Creative Writing at Queen’s University, Belfast. Then, following the 2016 release of her aforementioned debut album proper, Parma Violets, came a serendipitous SXSW performance that same year that would ultimately lead to her signing with Canvasback (alt-J, The War on Drugs) and subsequently Hand In Hive (Saltwater Sun, Dama Scout).
Recent single 'Plastic Skeletons' was debuted by NPR, who write "[It] takes the singer's gift for evocative, concisely crafted, seemingly free-associated wordcraft and sets it against a swirling and forceful psych-rock arrangement." Since its launch, the track has seen UK radio support across BBC Radio1 (where it was recently awarded Huw Stephens' Tune of the Week), 6Music, Amazing Radio and more.
See further below for where you can catch Jealous of the Birds live in the coming months and keep your eyes peeled for more dates on both sides of the Atlantic to be announced soon.
Sept 27 | Dublin, Ireland - The Workman's Club
Oct 14 | Dublin, Ireland - Bord Gais Energy Theatre
Pre-order The Moths of What I Want Will Eat Me in My Sleep on 12" white vinyl here.
Rising, British pop prodigy Emily Burns has today shared an acoustic version of her catchiest single yet; 'Cheat', as the original nears one million streams on Spotify (taking her total Spotify stream count to over five million since her first single release earlier this year). Listen to the acoustic version [smarturl.it/CHEATacoustic]here, or revisit the original.
'Cheat' perfectly demonstrates Emily's knack for story telling in her music, with her relatable lyricism atop impeccable melody and infectious hooks, and is the third cut to be taken from her forthcoming debut mini-album 'Seven Scenes From The Same Summer', out 20th July on 37 Adventures (JONES, salute, Geowulf).
Explaining the meaning behind the song, Emily reveals:
"I wrote “Cheat” after a whirlwind romance that ended much more abruptly than I’d hoped for! I was feeling let down but was struggling to see anything other than the good in this person. Then I had a chat with some friends who reminded me that I would have behaved very differently in the situation so, I went into the studio and expressed that. I wrote this one with LMBY, who’s a really good friend of mine, which made it super easy to get straight to the details and vent freely. I felt much better after writing it…"
Likened to Charli XCX and MØ (The Line of Best Fit) and Sigrid and Tove Lo (Popjustice, Disco Naïveté), 22-year old Emily is writing modern, ambitious, frank pop songs about ex-girlfriends, spite, love and revenge. Having recently returned from some writing sessions in Sweden with MadFun (all female producer crew) and TEN (home of Tove Stryke, Icona Pop and all the Scandi greats), her mini-album release will be supported by a headline London show at Sebright Arms, and a return to her homeland Scotland.
Date listings as follows:
Sat 14th July - Longitude, Dublin
Wed 1st Aug - Sebright Arms, London (headline show)
Fri 3rd Aug - Belladrum, Scotland
Sat 18th Aug - Hardwick Live, Stockton Upon Tees
Sat 25th Aug - Pride, Manchester
Sat 15th Sept - UWE Freshers Ball, Bristol
Sat 3rd Nov - 2Q Festival, Lincoln
Sat 1st Dec - DIVA Music Festival, Great Yarmouth
'Seven Scenes From The Same Summer' will be available in limited-edition pink vinyl LP (pre-order here).
Stay tuned for more news to come soon.
Punk rock artist and women's empowerment activist, Shiragirl, has premiered the live video for her single "Summers Comin" exclusively with New Noise Magazine. Watch HERE. The track is taken from Shiragirl's recently released EP, Brooklyn Goes Hollywood, which was lauded as "an alternative electro pop-punk reverie" by AltPress. Produced by Tim Armstrong (Rancid, The Transplants, Pink, The Interrupters) and John King (Beastie Boys, Beck, Dust Brothers), Brooklyn Goes Hollywood features a new sound; one that fuses punk rock, new wave and modern dance pop. The EP is available now on all digital platforms. For more information on Shiragirl, please visit: https://shiragirl.com/.
With deep roots on the East Coast, this "Punk Rock Madonna" first splashed onto the scene after crashing the Vans Warped Tour. As the legend goes, a young, determined Shira showed up in her iconic pink RV, created her own stage and performed atop it with her band. After receiving a rousing crowd response, Warped Tour founder Kevin Lyman invited Shira to return the following summer to host an official Shiragirl Stage. The stage went on to host over 200 female-fronted bands, many making their Warped debuts, including Paramore on their first ever tour, and the legendary Joan Jett. This year, the Shiragirl Stage returned to the 2018 Vans Warped Tour for select dates, including Pomona, San Diego, Ventura and more, and hosted artists such as Blameshift, Shiragirl, Elana J, No Small Children, Whitney Peyton, Bridge City Sinners, Turbulent Hearts and Moa, plus new additions Rivals, Vanessa Silberman and Babs from Emo Nite (DJ set). Shiragirl is also set to perform on the Full Sail Stage at select Warped Tour dates in July, including Milwaukee and Indianapolis.
With the Shiragirl Stage, Shira accomplished her mission to inspire and empower women, by providing them a platform for creative expression. She also broke into the boys club, and made Punk Rock history. Shiragirl's story was featured in the book 'Misfit Summer Camp: 20 Years On The Road With The Vans Warped Tour'. She received an MTV Warpie Award, and a spot in the Rock and Roll Hall of Fame Warped Tour Time Capsule Exhibit as well.
Shiragirl went on to rock stages across North America, including support slots for Rancid, NOFX, and Juliette Lewis. In 2017, Shiragirl shot a music video for her single "RESIST" at the Women's March, and was invited back to play the 2018 Women's March. Shiragirl may travel far and wide, but her soul will always be Forever Warped.
7/23 - Warped Tour Full Sail Stage, Milwaukee, WI
7/24 - Warped Tour Full Sail Stage, Indianapolis, IN
Pet Shop Boys will release the final set of albums in their definitive ‘Catalogue: 1985-2012’ series of reissues of all their Parlophone studio albums. This fourth batch of releases will see the PSB albums ‘Behaviour’ from 1990, the 1993 album ‘Very’ and the 1996 album ‘Bilingual’ reissued on 31st August 2018. The albums have been remastered and repackaged, and will be accompanied by ‘Further listening’ albums of master quality bonus tracks - including demos, extended mixes and remixes of tracks from the albums and others created in the same period as each record.
‘Behaviour’ was Pet Shop Boys’ fourth studio album, recorded largely in Munich, Germany at co-producer Harold Faltermeyer’s studio. The album was then completed at London’s Sarm West Studios, and was released in October 1990 – hitting number 2 on the UK Album Chart and going on to earn platinum certification.
The LP is seen by some as one of Pet Shop Boys’ most contemplative and moving records, and features the singles ‘So hard’, ‘How can you expect to be taken seriously?’ and their classic track ‘Being boring’. This ‘Catalogue’ release of ‘Behaviour’ features Further listening bonus tracks such as an extended mix of ‘Where the streets have no name (I can’t take my eyes off you)’ and an ambient mix of ‘Music for boys’ - both of which are previously unreleased on CD.
Behaviour/Further listening 1990-1991:
1 Being boring
2 This must be the place I waited years to leave
3 To face the truth
4 How can you expect to be taken seriously?
5 Only the wind
6 My October symphony
7 So hard
9 The end of the world
1 It must be obvious
2 So hard (extended dance mix)
4 Being boring (extended mix)
5 Bet she’s not your girlfriend
6 We all feel better in the dark (extended mix)
7 Where the streets have no name (I can’t take my eyes off you) (extended mix)
8 Jealousy (extended version)
9 Generic jingle •
10 DJ culture (extended mix)
11 Was it worth it? (twelve-inch mix)
12 Music for boys (ambient mix)
13 DJ culture (seven-inch mix)
• Previously unreleased
The 1993 album ‘Very’ was a number one record for Pet Shop Boys in the UK, Germany, Sweden and Switzerland, and has to date sold in excess of five million copies worldwide. It contains 5 singles, including their cover of ‘Go West’ – a number 2 hit for PSB – and lead single ‘Can you forgive her?’.
Stylistically, ‘Very’ could be said to serve as an antithesis to ‘Behaviour’, insofar as the production and lyrical themes are generally more upbeat and positive than those of the previous album. Visually, too, PSB reinvented their image to incorporate more vivid colours and brightness, including Very’s now-iconic “Lego” album cover. The album is also the first to be produced almost entirely by Pet Shop Boys themselves - with additional programming and production courtesy of Pete Gleadall and Stephen Hague. This ‘Catalogue’ issue of ‘Very’ includes a Further listening disc of bonus material, such as the previously-unreleased tracks ‘Falling’ (a demo for Kylie Minogue), and a 1992 twelve-inch mix of ‘Go West’.
Very/Further listening 1992–1994:
1 Can you forgive her?
2 I wouldn’t normally do this kind of thing
4 A different point of view
5 Dreaming of the Queen
6 Yesterday, when I was mad
7 The theatre
8 One and one make five
9 To speak is a sin
10 Young offender
11 One in a million
12 Go West
1 Go West (1992 twelve-inch mix)
2 Forever in love
3 Confidential (demo for Tina)
4 Hey, headmaster
6 Too many people
7 I wouldn’t normally do this kind of thing (seven-inch version)
8 Violence (Haçienda version)
9 Falling (demo for Kylie)
11 If love were all
12 Absolutely fabulous (single version)
14 Some speculation
15 Yesterday, when I was mad (single version)
16 Girls and boys (live in Rio)
Released in September 1996, ‘Bilingual’ was the sixth studio album to be released by Pet Shop Boys. It was a UK top 5 record upon release and included 5 singles, all of which were UK top 20 singles. As is often the case with PSB records, ‘Bilingual’ comprises many influences, including those of the music of Latin America, due partly to the Spanish and Latin music Neil Tennant and Chris Lowe had been listening to prior to recording the album.
The album was recorded by PSB with Danny Tenaglia and Chris Porter, and has since gained platinum certification in Spain, and Gold in the UK. This ‘Catalogue’ release of ‘Bilingual’ includes a Further listening CD of bonus tracks, with previously-unreleased new versions of ‘Discoteca’ and ‘A red letter day’.
Bilingual/Further listening: 1995-1997:
5 Se a vida é (That’s the way life is)
6 It always comes as a surprise
7 A red letter day
8 Up against it
9 The survivors
11 To step aside
12 Saturday night forever
1 Paninaro ’95
2 In the night (1995)
3 The truck-driver and his mate
4 Hit and miss
5 How I learned to hate rock ’n’ roll
7 Delusions of grandeur
8 Discoteca (single version) •
9 The calm before the storm
10 Discoteca (new version)
11 The boy who couldn’t keep his clothes on
12 A red letter day (expanded single version)
13 The view from your balcony
14 Disco potential
15 Somewhere (extended mix)
• Previously unreleased
The ‘Catalogue: 1985-2012’ reissues of ‘Behaviour’, ‘Very’ and Bilingual’ will go on sale 31st August 2018. The three albums will be packaged with an extensive booklet in which Neil Tennant and Chris Lowe discuss each song, illustrated with many archive photographs. The entire project is designed by Farrow. To pre-order the albums, please follow the links below:
‘Behaviour’ – https://lnk.to/PSBBehaviourMP
‘Very’ - https://lnk.to/PSBVeryMP
‘Bilingual’ – https://lnk.to/PSBBilingualMP
The ‘Catalogue: 1985-2012’ reissue series began last year with the release of ‘Nightlife’, ‘Release’ and ‘Fundamental’ which all entered the Top 40 album charts, followed by re-issues of ‘Yes’ and ‘Elysium’, and later ‘Please’, ‘Actually’ and ‘Introspective’.
The reissues of ‘Please’, ‘Actually’, ‘Introspective’, ‘Behaviour’, ‘Very’ and ‘Bilingual’ were originally released with bonus Further listening albums in 2001 and are being newly remastered with their original track-listings for this project.
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